It was a feat the band managed to pull off for many years afterward, but never as concisely or as impressively as they did here. A Man Inside My Mouth is presented with a more driving, up-tempo rhythm with buzzing synthesizer swirls and snarling vocals while The Exploding Boy features brimming guitars and wailing synthesizers to walloping beats. The album is the first to feature drummer. Allen, The Head on the Door is an album where the Cure would go full-fledge pop while featuring bits of their early Goth sound into something more direct. . The album closer is Sinking is a smooth, mid-tempo track with driving bass and guitars, hammering beats, swooning keyboards, and a melodic piano that is carried through its rich production.
Written by Robert Smith and produced by Smith and David M. Archived from on 18 November 2008. Retrieved 7 June 2015 on youtube. A Night Like This is led by driving guitars, hard-hitting drums, heavy bass, and soft keyboards in a mid-tempo track that features Smith singing desperate yet somber lyrics. The demos for the B-sides Stop Dead, A Few Hours After This…, A Man Inside My Mouth, and The Exploding Boy are among the highlights with Stop Dead being a wobbly, bass-driven track and A Few Hours After This… having a T-Rex inspired drive. In December 1985, The Head on the Door was named the best album of the year by Melody Maker.
Select albums in the Format field. It was released 8 August in the U. Get It At After recording one of their darkest albums, 1984's The Top, the Cure regrouped and shuffled their lineup, which changed their musical direction rather radically. When he was interviewed that year, Smith cited among his other favourite albums, by Elvis Costello, by David Bowie, by the Stranglers, and by the Psychedelic Furs. The deluxe version also has some great moments showing how these songs were made before coming into its final version. The extra disc doesn't add huge amounts of value to the original album, but neither does it detract from the essential nature of The Head on the Door.
Smith sings in a calm vocal style with stark imagery relating to heartbreak and faith as it includes a wonderful flamenco solo from Thompson. Six Different Ways is a quirky upbeat song with rumbling yet sparse beats to a mid-tempo rhythm and layers of scintillating synthesizers acting as strings and flutes along melodic piano swirls. These versions don't differ radically from the final versions, but they do show how the band refined their sound and came up with the crystal-clear and uncluttered sound of Head. The Head on the Door is the first Cure album where all the songs were composed solely by singer and guitarist. The demos for Inbetween Days and Push are presented in rough versions with a drum machine and different instruments each in their respective tempos. With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. What does makes the disc worth hearing is the brace of studio demos recorded in February of 1985.
The murky-sounding live bootleg recordings are inessential as well. The first four tracks are instrumental home demos to Inbetween Days and Push along with two rarities in Inwood and Innsbrook. Select Gold in the Certification field. In 1985, the band became a quintet with instrumentalist as their fifth official member. In Brackett, Nathan; Hoard, Christian eds.
Guitarist , who had played guitar during the very early days of the band, and also played keyboards and saxophone during tour, became an official member. Inwood is a track with sputtering, mid-tempo drum machine beats, swirling guitars, and wailing synthesizers while Innsbrook is a slower track with eerie bass lines and guitar melodies to soft, rumbling beats. Bassist , who had previously worked on three major Cure albums of the early 1980s, was called back before the recording. Upon its release, The Head on the Door was well received by the British press. During promotion for the record, Smith stated that it was inspired by the albums by and by. In the United Kingdom, it became their most successful album to date, entering the albums chart at No. With The Head on the Door, Robert Smith figured out how to make gloom and doom danceable and popular to both alternative and mainstream rock audiences.
After recording one of their darkest albums, 1983's The Top, the Cure regrouped and shuffled their lineup in 1984 and ended up changing their musical direction rather radically. Archived from on 23 November 2005. In the end, The Head on the Door is a superb yet enchanting album from the Cure. Thanks in part to David M. The demos for the songs Screw, Kyoto Song, Six Different Ways, A Night Like This, and Close to Me are each presented in rough versions as the instrumentations are the same with some louder synthesizers in some spots plus more saxophone in A Night Like This and a drum machine for Close to Me. With The Head on the Door, Robert Smith figured out how to make gloom and doom danceable and popular to both alternative and mainstream rock audiences.
The remaining tracks included demos or live versions of all 10 songs from the first disc. The Head on the Door is a magnificent yet enjoyable album from the Cure as it among one of their best recordings in par with other classics like Disintegration, Pornography, and Faith. The next eleven tracks on the album are studio demos for many of the songs on the album plus B-sides and a couple of rarities Mansolidgone and Lime Time. It was a feat the band managed to pull off for many years afterward, but never as concisely or as impressively as they did here. Released in August 26, 1985, the album proved to be a major hit for the band as it peaked at 7 in the U. .
. . . . .